Sue Waller’s cinematic photos

are like daydreams,

inspired by shifting light

and movement.

Her images manifest

her assertion that art forms

are inseparable, as revealed in

her un-staged, spontaneous stills,

a continuation of her film work

while in art school

and her sculptural fashion designs

that carried her into the upper echalons

of fashion world in Paris.

This preoccupation of transforming

the two dimensional into three,

minimalizing shapes through contrast,

creates a sense of timelessness,

an otherwordliness

that allows each viewer their own

personal interpretation,

their own daydream

from a single image.