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2. Passion & Staying Inspired

I feel the message in this section is the heart of this Course - the importance of having your own drive and developing and inner will-power to succeed in the midst of the reality that, today, anyone can be a photographer using their smartphone.

This Section and the Coaching Center as a whole is meant for people who want to dive deep into the art and soul of our craft.

2. Passion & Staying Inspired

2. Passion & Staying Inspired

2. Passion & Staying Inspired
2. Passion & Staying Inspired - a. How I Developed My Passion for Photography - The Early Years

2. Passion & Staying Inspired - a. How I Developed My Passion for Photography - The Early Years

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2. Passion & Staying Inspired - b. Staying Inspired & Sources of Inspiration

2. Passion & Staying Inspired - b. Staying Inspired & Sources of Inspiration

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2. Passion & Staying Inspired - c. One Essential Tool To Stay Inspired

2. Passion & Staying Inspired - c. One Essential Tool To Stay Inspired

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Assignments for this Section

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Couse Curriculum

Complete
Course Curriculum

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1. Introduction a. Who this Course is For b. How to Create Your Own Curriculm c. A Message to the Non-Professional

2. Passion & Staying Inspired a. How I Developed My Passion for Photography - The Early Years b. Staying Inspired & Sources of Inspiration c. One Essential Tool to Stay Inspired

3. Sources of Inspiration a. Motion Pictures that Inspire Me b. Painters and Other Photographers

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4. Mastering Your Own Style a. Artistic Vision as a Priority b. Creating Your Own “Mood”

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7. How I Use Lighting a. My Style Preferences b. Natural Light & Simple Household Lamps c. Studio Light & the Old Hollywood Movie Lighting (Film Noir Style)

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5. Parallel Growth in Fine Art & Commercial a. Keeping My Commercial & Fine Art Work Indistinguishable b. Shooting it Your Way c. Stay a Fine Art Photographer and Shoot Commercially

6. Technical Aspects of My Style a. Practical Camera Techniques That I Use b. Composition

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8. Staying Ahead of the Curve a. Business-Wise b. Marketing c. Promotion

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9. Thinking Outside the Box a. Thinking Outside the Box Creatively b. Thinking Outside the Box with Marketing & Promotion

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10. The Unlimited World of Publishing a. Books b. Posters c. Copyright

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13. Selling Your Fine Art Work Online a. Artsy & 1stDibs b. Your Website

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11. OPEN YOUR EYES: There's Multiple Revenue Sources a. Licensing b. Tips for Shooting for Stock Agencies c. Video Art d. Corporate Sponsorship e. Lectures and Teaching f. Posters, Pt. 2 - A Different Approach

12. Working with Galleries & Museums a. How to Approach a Gallery b. How to Build Relationships with Brick and Mortar Galleries c. Creating Limited Editions d. Pricing e. Commissions, Percentages & Dividing Expenses

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14. Fine Art Editions Inventory Control - Finding the Solution a. Artwork Archives

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15. Let's Discuss Framing - 20 Unique Examples a. Let’s Discuss Framing

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16. Working in Motion Pictures

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19. Working with Advertising Agencies & Magazines

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17. An Effective Website a. Photoworkshop.com

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20. Working with Models a. Overview & Philosophy b. Fine Art Nudes & Commercial Nudes c. Fashion & Celebrities

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18. Emailings

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21. Assisting a. The Perfect Assistant -What I Look For b. Interning

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22. The Art of Printing a. Pigment Printers b. Papers and Media c. Printing on Metal d. Interview with Art Paper Guru - Michael Ginsburg, Co-Founder of Legion/Moab Paper

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25. Creating Marketing Partnerships a. Partnership Example #1: Volcan / LVMH b. Partnership Example #2: Moab Paper c. Partnership Example #3: Breast Cancer Research Foundation

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28. Interview with a Literary Agent

23. The Tools to Deliver Your Vision: Cameras, Lenses & Filters a. The Camera b. The Lenses c. The Filters

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26. Publishing at Doubleday with Jacqueline Kennedy Onnassis

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29. The Slideshow

24. Digital Tools a. Your Computer b. Software c. Apps d. Scanners

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27. Interview with an Art Dealer - Gene Seidman

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30. A Journey Through Prints a. 20 Unique Examples

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