top of page

28. Interview with a Literary Agent

Videos Coming Soon!

Assignments for this Section

No Assignments in this Section.

Couse Curriculum

Complete
Course Curriculum

introduction-who-this-course-is-for-1280.jpg
passion-&-staying-inspired-1024.jpg

1. Introduction a. Who this Course is For b. How to Create Your Own Curriculm c. A Message to the Non-Professional

2. Passion & Staying Inspired a. How I Developed My Passion for Photography - The Early Years b. Staying Inspired & Sources of Inspiration c. One Essential Tool to Stay Inspired

3. Sources of Inspiration a. Motion Pictures that Inspire Me b. Painters and Other Photographers

practical-camera-techniques-960.jpg

4. Mastering Your Own Style a. Artistic Vision as a Priority b. Creating Your Own “Mood”

how-i-use-lighting-1280.jpg

7. How I Use Lighting a. My Style Preferences b. Natural Light & Simple Household Lamps c. Studio Light & the Old Hollywood Movie Lighting (Film Noir Style)

the-unlimited-world-of-publishing-1280.jpg

5. Parallel Growth in Fine Art & Commercial a. Keeping My Commercial & Fine Art Work Indistinguishable b. Shooting it Your Way c. Stay a Fine Art Photographer and Shoot Commercially

6. Technical Aspects of My Style a. Practical Camera Techniques That I Use b. Composition

staying-ahead-of-the-curve-1280.jpg

8. Staying Ahead of the Curve a. Business-Wise b. Marketing c. Promotion

multiple-revenue-sources-1280.jpg
thinking-outside-the-box-1280.jpg

9. Thinking Outside the Box a. Thinking Outside the Box Creatively b. Thinking Outside the Box with Marketing & Promotion

working-with-galleries-1280.jpg

10. The Unlimited World of Publishing a. Books b. Posters c. Copyright

selling-your-fine-art-work-online-1280.jpg

13. Selling Your Fine Art Work Online a. Artsy & 1stDibs b. Your Website

working-in-motion-pictures-1280.jpg

11. OPEN YOUR EYES: There's Multiple Revenue Sources a. Licensing b. Tips for Shooting for Stock Agencies c. Video Art d. Corporate Sponsorship e. Lectures and Teaching f. Posters, Pt. 2 - A Different Approach

12. Working with Galleries & Museums a. How to Approach a Gallery b. How to Build Relationships with Brick and Mortar Galleries c. Creating Limited Editions d. Pricing e. Commissions, Percentages & Dividing Expenses

inventory-control-1280.jpg

14. Fine Art Editions Inventory Control - Finding the Solution a. Artwork Archives

website-1280.jpg
lets-discuss-framing-1280-1.jpg

15. Let's Discuss Framing - 20 Unique Examples a. Let’s Discuss Framing

emailings-1280.jpg

16. Working in Motion Pictures

working-with-advertising-agencies-and-magazines-1280.jpg

19. Working with Advertising Agencies & Magazines

the-art-of-printing-1280.jpg

17. An Effective Website a. Photoworkshop.com

working-with-models-1280.jpg

20. Working with Models a. Overview & Philosophy b. Fine Art Nudes & Commercial Nudes c. Fashion & Celebrities

the-tools-to-deliver-your-vision-1280.jpg

18. Emailings

assisting-1280.jpg

21. Assisting a. The Perfect Assistant -What I Look For b. Benefits of Assisting c. Interning

digital-tools-1280.jpg

22. The Art of Printing a. Pigment Printers b. Papers and Media c. Printing on Metal d. Interview with Art Paper Guru - Michael Ginsburg, Co-Founder of Legion/Moab Paper

the-art-of-printing-1280.jpg

25. Creating Marketing Partnerships a. Partnership Example #1: Volcan / LVMH b. Partnership Example #2: Moab Paper c. Partnership Example #3: Breast Cancer Research Foundation

interview-with-a-literary-agent-1280.jpg

28. Interview with a Literary Agent

23. The Tools to Deliver Your Vision: Cameras, Lenses & Filters a. The Camera b. The Lenses c. The Filters

jackie-o-1280.jpg

26. Publishing at Doubleday with Jacqueline Kennedy Onnassis

the-slideshow-1280.jpg

29. The Slideshow

24. Digital Tools a. Your Computer b. Software c. Apps d. Scanners

interview-with-an-art-dealer-1280.jpg

27. Interview with an Art Dealer - Gene Seidman

a-journey-through-prints-1920.jpg

30. A Journey Through Prints a. 20 Unique Examples

bottom of page